1,253 Royalty-Free Audio Tracks for "Analog Broadcast"

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Strange modular bass loop. The file is loopable. Main modules is intellijel μvcf, uoki-toki polivoks vcf, synthrotek dirt and dinsync modseq. Thanks for dropping by.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

This is an old 70's phone, i pick up the receiver, dial a few times and ring off afterwards. Recorded on 44,1 24-bits with a shure ksm27 large-membrane condensor mic.

Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.

Dave smith's mopho analog synthesizer's triangle wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

Straight out of my modular. Can you find use for this? suggestions. . .

A loud and monstrous distorted synth lead that screams for some filter love! created in cubase using novation's v-station processed thru various effects. Enjoy!.

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.

Patched my little modular synth while it was switched off. Then i switched it on and waited for it to warm up. This was the result.

Roland jx8p my own sound patch.

Random series of short high frequency sounds generated by arp odyssey. An accidental "r2 detour".

Sounds from an analog sound device called 'the benjolin' a diy project by rob hordijk and joker nies. Sometimes recorded in addition with effects coming from a korg kaoss pad.

Another patch. Almost melodic. . .

Exploring my downsized synth. Feels great. A small synth with a trillion possibilities and hidden surprises.

Yeah! now i have got a vc switch! the jerk off is back in the rack!i have missed you.

Strange intermission.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

A ticking analog stopwatch. No frills. Can be looped.

First patch with new 84hp set-up. A synth not meant to make music you like.

Made on my analog modular synth.

A modular synth composition.

Polyrhythmic synth sequence. Exploring with ring modulation.

Playing with sequencer.

120bpm 4/4 natural analogic tambourine rhythm (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

100bpm 6/8 natural analogic tambourine rhythm (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

100bpm 4/4 natural analogic tambourine rhythm (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

Nlc sloth and jerkoff generates chaos.

Sound i use in disquiet junto project 0544: feedback loopthe assignment: share music-in-progress for input from others.

A meaningless loop made, recorded and uploaded. . .

Single note from my realistic mg-1. The note is c. Warbly/slow subtle vibrato on a muted saw. Feel free to use in anything.

Dark atmospheric horror background music recorded in audacity on a yamaha ew300 keyboard using analog synth voice and limited with a soft limiter in audacity of -5db to remove sharp spikes in recording.

Playing around. . . Find your sample! check out around 5 min. . . .

Recorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Processed sfx sweep for hook promo use.

Radio scanner. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

A rare combination?.

The three parts are following the sam chaotic lfo.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

Based on the logistic equation. . .

This is my synth saying hi!.

Patch generating classic space sounds. . . Maybe to much is going on? and to fast. This sound even has an ending :-). A respect to the pioneers in this field. Bebe barron and louis barron. They made the music to forbidden planet (1956).

The vintage bass pack is a collection of bass one shots created in reason using synapse´s the legend synthesizer which is probably the best emulation of the original minimoog synthesizer available today. The sounds will be useable in a variety of music styles where vintage and powerful bass sound is needed. Enjoy!.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.